I had the opportunity recently to visit Tucson, Arizona and was fascinated to see a landscape so different from the lush Pacific Northwest. Instead of ferns and mossy glades beneath towering evergreens the arid desert landscape was filled with cacti, succulents and other drought tolerant specimens piercing the rocky terrain.
To some this stark landscape seemed barren yet I found the juxtaposition of the different architectural shapes fascinating. When I design gardens and plant combinations I pay great attention to the details of foliage to create a layered tapestry. I also love to work with color – high contrast and monochromatic being my two favorite schemes. The desert plantscape was an exciting study in monochromatic planting with shades of silvery-green and steel blue predominating and it was also a lesson in appreciating the structural quality of each plant.
While in Tucson I heard a wonderful presentation by Scott Calhoun, a local and highly regarded landscape designer on Hot Gardens – designing in the south west. Whereas I am often asked to create a sense of enclosure, a hidden oasis for my clients, Scott designs for a sense of openness and transparency. He aims to mimic the surrounding landscape in his gardens, framing views of the surrounding mountains. It is a principle called 'borrowed landscape' where the garden seems to extend into the distance and boundaries are obscured.
Rather than creating screening he looks for ways to add stark silhouettes against the sky – emphasizing the wider landscape or vista. Closer at hand he creates vignettes of plant material, boulders wildflowers and native grasses.
My favorite trip was to a wonderful private garden where the homeowner had adapted these principles to an urban environment. He had built the most beautiful stucco walls, each painted a different bold color and then set the plants against this unadorned backdrop. Sunlight cast shadows on these walls creating a sense of greater depth allowing the form of each cactus to be silhouetted without distraction from background plants.
Although the plants themselves were of a similar hue, by placing them against walls of cobalt blue, yellow ochre, terracotta and olive green each specimen 'popped'.
Each plant was well spaced from its neighbor – a practical necessity in the desert since they are competing for water. Yet this allowed the graphical shape of each plant to be appreciated in isolation creating an almost minimalistic look.
Short spines, long spines, orange spines, ghostly white spines. Paddle shapes, columnar pickets, pointed arrows and mounds. The variety was still there in the details although at first glance the desert may seem like a moonscape to those of us used to a completely different environment.
This trip provided a wonderful opportunity to learn about different design techniques and many of those ideas can be employed in our own gardens. Creating silhouettes using the contorted branching structures of trees and shrubs for example. Or a stand of vertical grasses against the solid backdrop of evergreen trees can have the same dramatic effect as the cacti against the sky. If you would like more ideas on designing silhouettes, especially valuable in the winter landscape of more temperate climates, you may enjoy this article I wrote a while ago.
No matter where you live, it's still all about the details.
This trip was organized by the Garden Writers Association