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Watery Hues at Chanticleer

Watery Hues at Chanticleer

I’m sure you’ve heard of the renowned white garden at Sissinghurst. Even if you’ve never seen it in person there are countless images online depicting its quiet elegance. Does the idea of a monochromatic color scheme intrigue you but you’re nervous to try it?

  • Are you afraid it will lack interest?
  • You’re not sure which color to focus on?
  • You’d like to add just a hint of contrast but don’t know how or with what?

This may be just the inspiration you need!

I managed to squeeze in a short trip to Chanticleer Garden in Wayne, PA a week or so ago. I had been photographing the last few gardens for my new book Deer Resistant Design (Timber Press, 2019) and realized I was within striking distance of this magical garden that had completely captivated me when I visited last fall.

I arrived a little later than ideal for photography but was still able to find a few spots with soft light, including the gravel terrace adjacent to the formal pool, which was planted in a deliciously cooling palette of soft aqua tones, accented by the finely dissected blue-black foliage of Black Lace elderberry and a few light confetti sprinkles of coral-orange.

The watery hues of the pool house roof and pool itself inspired the monochromatic theme which in true Chanticleer style was not bound by limitations of hardiness or longevity so much as drama, texture, form and scale of foliage, enhanced by a few select flowers. In other words it is my sort of garden!

Finding Focus

Focal points are essential in any design, but are especially important where the color palette is restrained. Here a pair of weathered stone roosters stand apart from the exuberant plantings, while the bold succulent foliage of a stunning blue century plant (Agave americana) forms a counterpoint to a froth of finer textures.

 

A bold blue century plant (Agave americana) thrives anchors the design surrounded by the foliage and flowers of curly sea kale (Crambe maritima), annual long-headed poppies (Papaver dubium), donkey tail spurge (Euphorbia myrsinites) and Dalmation bellflower (Campanula portenschlagiana)

While these roosters stand sentry to the stepped path that leads to the pool, the borders they guard are not planted in a strictly symmetrical fashion. Rather the emphasis is on repetition of the color palette and textures.

Sea kale has been allowed to flower, its succulent stems and white flowers adding to the casual display.

Adjacent to a major pathway, this display also has to hold up to closer inspection by strolling visitors. I was fascinated by the plant selection the designers had thought to use and marveled at their inventiveness. I only wish I could visit again in mid-summer to see how this color story will continue to unfold.

Blue Glitter sea holly (Eryngium ‘Blue Glitter’) shows off its spiky blue bracts

Your turn!

Has this got you thinking? Remember you can design a single container, a feature border or an entire garden room in this way. It can be designed using hardy plants, annuals or a blend of the two.

Look around your garden for color cues. Perhaps your red front door? Or a specimen tree with silver leaves? Or a cobalt blue birdbath? Where the pool house roof guided the choice at Chanticleer any of those features could be a color springboard for your unique design.

Bismarck palms (Bismarkia nobilis) are planted in containers tucked into the border adjacent to the pool house, reinforcing the color scheme and seasonal display.

Be sure to visit Chanticleer if you can! It’s now open until the end of October.

Live too far away? Then treat yourself to this enticing book, The Art of Chanticleer photographed by award-winning photographer Rob Cardillo.

Note this post contains affiliate links

Lessons from Chanticleer – when a Path becomes an Experience

The Teacup Garden features exotic plantings

The Teacup Garden features  plantings with a tropical flair

Have you ever visited a garden that literally took your breath away? The sun was barely cresting the horizon when I drove into Chanticleer Garden, affording the merest glimpse of what I would ultimately see. Although I had enjoyed slide presentations, photographic blog posts, and books on this unique place I still gasped a little as I entered the renowned Teacup Garden.

Yet as a designer I was looking for more than just photo opportunities – I was looking for ideas that the home gardener could glean and re-interpret to suit their budget and style, and that is where Chanticleer both excels and sets itself apart. So with that in mind, I’ve distilled my 500 images down to a handful to illustrate some of the many design tips that inspired me, focusing in this post in what is often overlooked for artistic expression – paths.

Pathways

The simplest path can be made more interesting by the addition of a sweeping curve

The simplest path can be made more interesting by the addition of a sweeping curve

Every garden needs paths as a means of getting from A to B. Whether utilitarian (getting the garbage cans to the sidewalk), leisurely strolling paths or directional (the primary path leading guests to the front door for example), there is an opportunity to add a level of detail and artistry.

Obscuring the final destination by curving the path and adding billowing plantings adds intrigue as shown in the photo above.

If the path necessitates a more abrupt change of direction, why not enhance that? In the photo below, notice how the spiral theme is repeated on the low stone wall, the pavers and the handrail. The introduction of new materials (stone pavers cut into the path) adds interest which is especially appreciated since one needs to slow down to turn the corner.

Why merely turn a corner when you can do this?

Why merely turn a corner when you can do this?

Incorporating new materials or a design element at a transition in the path can also help visitors find their way, such as the circle detail indicating a side path to the Tennis Court Garden. Notice how this secondary path continues in pavers, again distinguishing its purpose.

The circular motif makes it clear that this is an intersection

The circular motif makes it clear that this is an intersection

Bridges

What happens when your path needs to cross a seasonal stream, dry creek bed or culvert? Do you head to the nearest box store for the ubiquitous Japanese style bridge? Chanticleer designs and creates far more exciting ideas to get us thinking of the possibilities!

The stone-topped bridge shown below is in the Asian Woods. Notice the bamboo-inspired detail on the railing. This combination of metal and wood craftsmanship is a recurring theme at Chanticleer.

Asian-inspired brudge

Asian-inspired bridge

In another area, the organic form of the surrounding forest inspired these trunk-like posts. Notice the cobble detail in the pathway enhancing the experience and transition.

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Tree-like posts support the railing on this bridge

 

Steps

Changes in elevation necessitate a series of steps or a ramp. Once again Chanticleer seizes the opportunity to add artistic detail.

The Gravel Garden was alive with color and movement when I visited late October. Billowing clouds of pink muhly grass competed with bold stands of seedheads from black eyed Susan’s (Rudbeckia sp.) for my attention, as did architectural specimens such as beaked yucca (Yucca rostrata) and late blooming asters. Clearly I was not looking where my feet were going – my head was on a swivel!

Glorious color and exciting textures in the Gravel Garden

Glorious color and exciting textures in the Gravel Garden

This garden is carved out of a hillside. The designers at Chanticleer knew they needed a clear, safe path to navigate the steep, rocky terrain – but they also knew how to make it beautiful.

Creating a journey - not just a path

Creating a journey – not just a path

Wide, shallow steps, clearly defined by stone ledges help the distracted visitor explore the garden with ease, while the casually curved route transforms this from a flight of steps to a memorable experience.

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View of part of the Gravel Garden from above

Plants are allowed to encroach lightly onto the pathway, softening the hardscape  while the choice of materials integrates the steps into the gravel-topped landscape.

Steeper flights of steps may need a handrail – an opportunity for the Chanticleer artisans to get creative once again. Just one of many examples is depicted below, organic plant forms inspiring the design.

Creating a journey, not just a pathway

Inspired design

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Fern fronds, woodland mushrooms – and a snail adorn the base of this delightful railing

Chanticleer is not just a garden. Every detail, every moment is memorable. Yes, there are wide open vistas, remarkable foliage combinations, pleasant walks, colorful flower-filled borders, an inspiring vegetable garden, reflecting pools, portals, outstanding use of ‘borrowed views’ and axial sight lines. Chanticleer is all that and more. It is an experience.

When to Visit

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Notice the detail on the bench that overlooks the cutting and vegetable gardens….

I was fortunate to be able to visit before the gardens closed for the winter and am grateful to my friends Bill Thomas and Dan Benarcik for granting me early morning access. The gardens re-open to the public on March 28th 2018. Full details and directions here

Perfect Holiday Gift

This is a garden you need to visit often. Check out the website to get a sense of what each season offers – and still expect to be surprised.

If you live within easy traveling distance of Wayne, Pennsylvania, I recommend you treat yourself and a friend to a 2018 season pass.

Live farther away? I love their latest book The Art of Gardening: Design Inspiration and Innovative Planting Techniques from Chanticleer (Timber Press, 2015). It would be a truly inspiring gift for any occasion and any gardener and is choc-full of dreamy photos by the talented Rob Cardillo. Use my affiliate link to find out more and to save a few pennies:

Pathway Transitions: Designer Details

Every garden needs pathways for navigation. Whether it is a means to get from the driveway to the front door, a short stretch from the back door to the garbage cans or a meandering trek through an abundantly planted border, each pathway has a distinctive role. That role in turn determines the paths width and the material it is likely to be made from: frequently traveled routes being wider and offering a reliably firm footing while a narrow woodland path may be just a 2-foot wide strip of mulch.

What fascinates me as a designer is the place at which paths intersect, change direction or change in function: what we refer to as transitions, which in turn become exciting design opportunities.

A Transition to a More Intimate Space

A visit to the Japanese Garden in Portland last week offered several wonderful examples of how to execute such transitions.

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A transition created by an archway, beyond which the path becomes narrower and more intricate – Portland Japanese Garden

In the photo above, a simple archway invites the visitor to linger briefly under its protective roof. Underfoot the previously linear footpath (in the foreground) becomes a mosaic of both the rectilinear slabs  and some newly introduced, random flagstone. Beyond this stone carpet the pathway continues on the same axis but is now narrower and the incorporation of flagstone continues, creating a more intricate pattern. This suggests to the visitor that care must be taken, they are entering a more intimate space and that taking slower steps would be wise. Yet this transition is smooth. There is no jarring change of materials, rather the incorporation of just one additional element and a change in dimensions. Assisting in creating a sense of unity, a narrow border of black stones held in place by interlocking tiles flanks one side of each section. drawing the eye through the entire space.

This marvelous yet simple attention to detail creates a change in atmosphere and therefore the visitor’s experience.

Frierson residence, Atlanta, GA

Frierson residence, Atlanta, GA

The private garden shown above demonstrates the same principles but using different materials. Here the visitor is invited to leave the primary herringbone brick pathway and walk up two, transitional grassy steps into a much narrower space. The bricks in this smaller path are laid in a running bond pattern so while the material suggests continuity the design details are unique.

How can you use this idea in your own garden?

Can you widen the path into more of a carpet under an archway to make it a stronger transition? Or create a patio space within the path as in the example below:

The original flagstone path has been intersected by a grey cobble patio, the pattern and change of material emphasizing the new function in this transitional space. Read the full story here.

The original flagstone path has been intersected by a grey cobble patio, the pattern and change of material emphasizing the new function in this transitional space. Read the full story here.

Can you adjust the width of the path before/beyond a transition point?

A Transition at the Top of Steps

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A flagstone landing at the top of a flight of steps – Portland Japanese Garden

Landings at the top of a flight of steps offer an opportunity for creativity. This is a space where we adjust our stride and reach for the handrail as we head down, or stop to collect our breath when we reach the top! Either way, this is a location where we might pause for just a moment or two longer than usual. In the photo above, the designers switched from concrete paths edged with rectangular stone slabs to a flagstone motif on the landing.

How can you use this idea in your own garden?

What about installing a mosaic detail on a landing?

Conlon residence, Pasadena, CA

Conlon residence, Pasadena, CA

Dunn residence, Atlanta, GA

Dunn residence, Atlanta, GA

A perhaps a special tile?

Better Homes & Gardens test garden, Des Moines, IA

Better Homes & Gardens test garden, Des Moines, IA

Share your ideas in the comments below or on my Facebook page – I’d love to see what you do!

Creative Combinations You’ll Love!

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The entry garden gives a hint of what is to come

It’s always exciting to visit somewhere new, and this past week I found myself in Des Moines, Iowa. The first few days were spent filming a series of videos on container gardening for Garden Gate magazine (more on that exciting news soon) but on my last day I had time to visit the Greater Des Moines Botanical Gardens – and I am so glad that I did.

Plantsman extraordinaire, Kelly Norris, was appointed as Director of Horticulture a few years ago and his vision, artistry and flamboyant approach to design is evident throughout. From the new entry garden that boasts sculptural trellises and ethereal clouds of annuals in shades of white, lavender and purple, transforming the rose garden to a delightful multi-sensory experience, to the savannah with its matrix planting of grasses and native wildflowers, this 7 acre wonderland is full of surprises, ideas and COLOR.

Billowing plantings frame a path and the distant skyline of Des Moines

Billowing plantings flank a path and frame the distant skyline of Des Moines

Although each area had its own color scheme, subtle repetition of a single plant or accent color provided a sense of connection rather than  abrupt conclusion. It was the enchanting color echoes and contrasts used in one particular border that really caught my eye, however, combining shades of peach, coral and pumpkin with lavender and lemon. The effect was both bold yet restrained since it avoided harsh contrasts. It felt romantic yet not overtly feminine. Youthful and flirtatious yet sophisticated and confident.

Here’s how to get the look.

Repetition of Plants

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The bold, variegated peach and chocolate variegated leaves of copperleaf (Acalypha wilkesiana ‘Tricolor’) and the lavender blooms of Senorita Rosalita spider flower (Cleome ‘Senorita Rosalita’) together with a froth of yellow and gold daisies establishes the color scheme for this border

Repetition of dramatic foliage and flowering plants creates a sense of rhythm and guides both feet and eyes down the path. Key plants need to be relied upon when playing such an important role, hence the value of foliage. However this Proven Winners spider flower can truly hold its own in heat and drought, and I have extolled the virtues of its white sister, Senorita Blanca before.

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The Proven Winners Senorita Rosalita spider flower is a five star annual.

This sterile, compact spider flower blooms non-stop, does not need dead-heading, can tolerate both typical garden watering as easily as drought, doesn’t have a funky smell or sticky stems (like regular spider flowers) and is both deer and rabbit resistant. I personally buy at least a dozen each year to use in my landscape but they work equally well in containers.

Repetition of Color

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Notice the color repetition – or color echoes.

In the foreground is a golden bluebeard (possibly Caryopteris x clandonensis ‘Lil Miss Sunshine’), this color  repeated farther down the border by the foliage of Fireworks globe amaranthus (Gomphrena ‘Fireworks’). The bold coppery tones of copperleaf is echoed by a distant canna flower and a tropical cordyline, while the lavender spider flowers are echoed by several annual flowers and leaves.

Add something unexpected

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A pop of magenta wakes up the color scheme: pentas blooms and parrot leaf

The introduction of magenta enlivens the color scheme of this border. Both the foliage of parrot leaf (Alternanthera ficoidea) and several flowers are used to re-enforce this decision, the color enhancing the ruby tones within the copperleaf foliage.

Forest Pink globe amaranthus (Gomphrena haageana)

Forest Pink globe amaranthus (Gomphrena haageana ‘Forest Pink’)

Foliage Framework – the #1 ingredient

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A buffet of colorful flowers still needs to put Foliage First! (I do recall a certain book or two on that premise…)

At first glance this border is all about the flowers with the exception of the variegated copperleaf already discussed, yet look more closely.

Several blooming plants have been selected for their golden leaves and bold texture is primarily provided by several tropical foliage plants including Cabernet rubber plant (Ficus elastica ‘Cabernet’) and a pink-variegated cordyline (both of which are often found in the houseplant section in your local nurseries). Canna manages to bridge both roles with its peach flowers and large, emerald green leaves while parrot leaf (Alternanthera ficoidea) plays with the magenta tones.

A different perspective

A different perspective – looking back at the border, now framed by the late summer foliage of Henry’s Garnet Virginia sweetspire (Itea virginica ‘Henry’s Garnet’) and smoky plumes of Ginger Love fountain grass (Pennisetum alopecuroides ‘Ginger Love’)

Other Plants to Consider

If you’d like to try a color scheme like this in your own garden, here are a few other plant suggestions to get you started.

Peach-coral-pumpkin

Diascia ‘Little Tango’ (Annual/perennial)

Cuphea ‘Vermillionaire’ (Annual)

Knipophia ‘Creamsicle’ (Perennial)

Coleus (Annual)

Heuchera (Perennial)

Carex testacea (Evergreen grass)

Diervilla ‘Kodiak Orange’ (Deciduous shrub)

Exbury azaleas e.g. Northern Lights series  (Deciduous shrub)

Berberis thunbergii ‘Tangelo’ (Deciduous shrub)

 

Lavender – purple
Verbena bonariensis (self-seeding annual/perennial)

Coleus (annual)

Allium sp. (Perennial bulb)

Phlox paniculata ‘David’s Lavender’ (perennial)

Syringa sp. (Lilac) (deciduous shrub)

Crocus tommasinianus ‘Purple Haze’ (spring blooming bulb)

 

Magenta

Salvia ‘Wendy’s Wish’  (annual/perennial)

Phlox paniculata ‘Red Riding Hood’ (perennial)

Coleus

Making TWO Containers Work

I’m often asked how many containers should be grouped together, do they have to be in groups of 3, do they all have to match and should they all be planted identically. The answer is NO to all those concerns! Here are several ways to make a group of just TWO containers work with style.

Make them read as one

As seen in the Spring 2017 issue of Country Gardens magazine

As seen in the Spring 2017 issue of Country Gardens magazine

This photograph shows one way I achieved balance using two pots of similar size and color but which differed in shape and texture. To gain some extra height I placed one on a cut tree round borrowed from the log pile! The silvery-green and white color scheme is used in both while the soft pink-peach accents in the left container echo the wood tones on the right. Those simple visual connections make this duo read as one extravagant display. This is one of 12 deer-resistant container designs in the current (spring 2017) issue of Country Gardens magazine

Using space and color

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A path links these two containers spatially while color and style unifies them

In the example above a flagstone path literally and figuratively connects the two containers. While the pots themselves are different colors, they are of a similar style and glaze. Notice how the blue pot includes orange flowers and foliage – another way to connect it to the orange pot in the background, while both designs are somewhat tropical in style with an emphasis on bold and colorful foliage.

Flanking an object

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Use the containers to create a colorful picture frame

Here the artwork on the wall becomes the focal point of a vignette, framed by two identical containers. Each container is planted as a mirror image of its partner to complete the visual picture frame. The height of the narrow conifers is an important detail.

Simplicity

Simplicity

For perfection at its finest what could be more inviting than this teak bench flanked by two weathered pots filled to overflowing with soft pink begonias? These simple containers seem to meld with the pathway. A mixed planting or larger grouping would unnecessarily over complicate this vision.

Using the landscape

Using the landscape

Fabulous display at the Atlanta Botanical Gardens

Two rustic pots, differing slightly in size and texture yet clearly matching in color and style. Notice how the larger pot has the addition of a lime green elephant ears (Colocasia) and therefore assumes the leading role in this scene. While the two pots in isolation would be fabulous, their visual appeal is enhanced and expanded significantly by the adjacent in-ground planting which repeats the colors, and some plants. This idea would also work if the containers were centered in a bed.

Using groups of 2

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Design by Mitch Evans. See more of this garden in our new book Gardening with Foliage First (Timber Press, 2017)

I’ve always loved this scene, so much so that we included it in our new book Gardening with Foliage First. I love the ‘little and large’ pots that sit either side of the steps. All four pots have clipped boxwood, a theme that is repeated in the spheres on the opposite side of the path. The delightful symmetry brings order to an otherwise informal landscape.

How have YOU used 2 containers? Leave a comment below or post a photo to my Facebook page. Share your ideas!

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